Friday, February 8, 2019

Due Tuesday, February 12th - "Macbeth" by William Shakespeare - Essay Rough Draft


Directions: Revisit Macbeth by William Shakespeare. For this blog post, set aside 30-40 minutes and compose a response to one of the following prompts. I included a list of 20 important quotations, below, to help you compose your piece. Edit your response and post it, here, on the blog to share with your classmates. This will act as a rough draft of a formal piece, so put in your best effort.


Prompts:

2014. It has often been said that what we value can be determined only by what we sacrifice. Consider how this statement applies to a character from Macbeth. Select a character that has deliberately sacrificed, surrendered, or forfeited something in a way that highlights that character’s values. Then write a well-organized essay in which you analyze how the particular sacrifice illuminates the character’s values and provides a deeper understanding of the meaning of the play as a whole.

2011. Form B. In The Writing of Fiction (1925), novelist Edith Wharton states the following: At every stage in the progress of his tale the novelist must rely on what may be called the illuminating incident to reveal and emphasize the inner meaning of each situation. Illuminating incidents are the magic casements of fiction, its vistas on infinity.

Using the play Macbeth, write a well-organized essay in which you describe an “illuminating” episode or moment and explain how it functions as a “casement,” a window that opens onto the meaning of the work as a whole. Avoid mere plot summary.

2009. A symbol is an object, action, or event that represents something or that creates a range of associations beyond itself. In literary works a symbol can express an idea, clarify meaning, or enlarge literal meaning. Using the play Macbeth, focus on one symbol, and write an essay analyzing how that symbol functions in the work and what it reveals about the characters or themes of the work as a whole. Do not merely summarize the plot.

2007, Form B. Works of literature often depict acts of betrayal. Friends and even family may betray a protagonist; main characters may likewise be guilty of treachery or may betray their own values. Macbeth includes several such acts of betrayal. In a well-written essay, analyze the nature of the betrayal(s) and show how it contributes to the meaning of the work as a whole.



Important Quotations:
Witch. When shall we three meet again
In thunder, lightning, or in rain?
Second Witch. When the hurlyburly ’s done,
When the battle ’s lost and won. (1.1.1)

Fair is foul, and foul is fair. (1.1.13)

For brave Macbeth - well he deserves that name -
Disdaining fortune, with his brandish'd steel,
Which smoked with bloody execution,
Like valour's minion carved out his passage
Till he faced the slave;
Which ne'er shook hands, nor bade farewell to him,
Till he unseam'd him from the nave to the chaps,
And fix'd his head upon our battlements. (1.2.19)

They doubly redoubled strokes upon the foe:
Except they meant to bathe in reeking wounds,
Or memorize another Golgotha,
I cannot tell. (1.2.40)

So foul and fair a day I have not seen. (1.3.38)

What are these,
So withered, and so wild in their attire,
That look not like th' inhabitants o' the earth,
And yet are on 't? (1.3.39)

If you can look into the seeds of time,
And say which grain will grow and which will not,
Speak then to me, who neither beg nor fear
Your favours nor your hate. (1.3.58)

Were such things here as we do speak about?
Or have we eaten on the insane root
That takes the reason prisoner? (1.3.83)

What! can the devil speak true? (1.3.107)

And oftentimes, to win us to our harm,
The instruments of darkness tell us truths,
Win us with honest trifles, to betray ’s
In deepest consequence. (1.3.132)

Two truths are told,
As happy prologues to the swelling act
Of the imperial theme. (1.3.136)

I am Thane of Cawdor:
If good, why do I yield to that suggestion
Whose horrid image doth unfix my hair
And make my seated heart knock at my ribs,
Against the use of nature? Present fears
Are less than horrible imaginings;
My thought, whose murder yet is but fantastical,
Shakes so my single state of man that function
Is smothered in surmise, nothing is
But what is not. (1.3.141)

Come what come may,
Time and the hour runs through the roughest day. (1.3.156)

Nothing in his life
Became him like the leaving it; he died
As one that had been studied in his death
To throw away the dearest thing he owed,
As ’t were a careless trifle. (1.4.7)

Glamis thou art, and Cawdor; and shalt be
What thou art promised. Yet I do fear thy nature;
It is too full o' the milk of human kindness
To catch the nearest way; thou wouldst be great,
Art not without ambition; but without
The illness should attend it; what thou wouldst highly,
That thou wouldst holily; wouldst not play false,
And yet wouldst wrongly win. (1.5.16)

Come, you spirits
That tend on mortal thoughts! unsex me here,
And fill me from the crown to the toe top full
Of direst cruelty; make thick my blood,
Stop up the access and passage to remorse,
That no compunctious visitings of nature
Shake my fell purpose, nor keep peace between
The effect and it! (1.5.38)

Your face, my thane, is as a book where men
May read strange matters. To beguile the time,
Look like the time; bear welcome in your eye,
Your hand, your tongue: look like the innocent flower,
But be the serpent under't. (1.5.63)

This castle hath a pleasant seat; the air
Nimbly and sweetly recommends itself
Unto our gentle senses. (1.6.1)

If it were done when 'tis done, then 'twere well
It were done quickly: if the assassination
Could trammel up the consequence, and catch
With his surcease success; that but this blow
Might be the be-all and the end-all here,
But here, upon this bank and shoal of time,
We'd jump the life to come. But in these cases
We still have judgement here; that we but teach
Bloody instructions, which, being taught, return,
To plague the inventor; this even-handed justice
Commends the ingredients of our poisoned chalice
To our own lips. (1.7.1)

Besides, this Duncan
Hath borne his faculties so meek, hath been
So clear in his great office, that his virtues
Will plead like angels trumpet-tongued, against
The deep damnation of his taking-off;
And pity, like a naked new-born babe,
Striding the blast, or heaven's cherubim, horsed
Upon the sightless couriers of the air,
Shall blow the horrid deed in every eye,
That tears shall drown the wind. I have no spur
To prick the sides of my intent, but only
Vaulting ambition, which o'erleaps itself,
And falls on the other. (1.7.16)

I have bought
Golden opinions from all sorts of people. (1.7.31)

I dare do all that may become a man;
Who dares do more is none. (1.7.46)

Screw your courage to the sticking-place,
And we'll not fail. (1.7.54)

Memory, the warder of the brain. (1.7.74)

False face must hide what the false heart doth know. (1.7.82)
There's husbandry in heaven;
Their candles are all out. (2.1.4)

Is this a dagger which I see before me,
The handle toward my hand? Come, let me clutch thee.
I have thee not, and yet I see thee still.
Art thou not, fatal vision, sensible
To feeling as to sight? or art thou but
A dagger of the mind, a false creation,
Proceeding from the heat-oppressed brain? (2.1.33)

Now o'er the one half-world
Nature seems dead. (2.1.49)

Thou sure and firm-set earth,
Hear not my steps, which way they walk, for fear
Thy very stones prate of my whereabout. (2.1.56)

I go, and it is done; the bell invites me.
Hear it not, Duncan; for it is a knell
That summons thee to heaven or to hell. (2.1.65)

That which hath made them drunk hath made me bold,
What hath quenched them hath given me fire. (2.2.1)

The attempt and not the deed,
Confounds us. (2.2.12)

Had he not resembled
My father as he slept I had done't. (2.2.14)

I had most need of blessing, and "Amen"
Stuck in my throat. (2.2.35)

Methought I heard a voice cry, "Sleep no more!
Macbeth does murder sleep!" (2.2.36)

’T is the eye of childhood
That fears a painted devil. (2.2.58)

Will all great Neptune's ocean wash this blood
Clean from my hand? No, this my hand will rather
The multitudinous seas incarnadine,
Making the green one red. (2.2.61)

A little water clears us of this deed. (2.2.68)

The labour we delight in physics pain. (2.3.56)

Who can be wise, amazed, temperate and furious,
Loyal and neutral, in a moment? (2.3.116)

Where we are,
There's daggers in men's smiles: the near in blood,
The nearer bloody. (2.3.146)

A falcon, towering in her pride of place,
Was by a mousing owl hawked at and killed. (2.4.12)

To be thus is nothing;
But to be safely thus. (3.1.48)
We have scotched the snake, not killed it. (3.2.9)

Be innocent of the knowledge, dearest chuck,
Till thou applaud the deed. Come, seeling night,
Scarf up the tender eye of pitiful day,
And with thy bloody and invisible hand,
Cancel and tear to pieces that great bond
Which keeps me pale! Light thickens, and the crow
Makes wing to the rooky wood;
Good things of day begin to droop and drowse,
Whiles night's black agents to their preys do rouse. (3.2.45)

Better be with the dead,
Whom we, to gain our peace, have sent to peace,
Than on the torture of the mind to lie
In restless ecstasy. Duncan is in his grave;
After life’s fitful fever he sleeps well:
Treason has done his worst; nor steel, nor poison,
Malice domestic, foreign levy, nothing,
Can touch him further. (3.2.23)

You lack the season of all natures, sleep. (3.4.141)

Security
Is mortals' chiefest enemy. (3.5.32)

Double, double toil and trouble;
Fire burn and cauldron bubble. (4.1.10)

By the pricking of my thumbs,
Something wicked this way comes. (4.1.43)

How now, you secret, black, and midnight hags! (4.1.49)

Be bloody, bold, and resolute; laugh to scorn
The power of man, for none of woman born
Shall harm Macbeth. (4.1.79)

Show his eyes, and grieve his heart;
Come like shadows, so depart! (4.1.124)

What, will the line stretch out to the crack of doom? (4.1.130)

His flight was madness: when our actions do not,
Our fears do make us traitors. (4.2.3)

Angels are bright still, though the brightest fell. (4.3.22)

What! man; ne'er pull your hat upon your brows;
Give sorrow words: the grief that does not speak
Whispers the o'er-fraught heart, and bids it break. (4.3.209)

Let's make us medicine of our great revenge,
To cure this deadly grief. (4.3.216)

Out, damned spot! out, I say! (5.1.38)

Yet who would have thought the old man to have had so much blood in him? (5.1.43)

The Thane of Fife had a wife: where is she now? (5.1.46)

Here's the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand. (5.1.55)

I would not have such a heart in my bosom for the dignity of the whole body. (5.1.60)

What's done cannot be undone. (5.1.75)

I have lived long enough: my way of life
Is fall'n into the sear, the yellow leaf;
And that which should accompany old age,
As honour, love, obedience, troops of friends,
I must not look to have; but, in their stead,
Curses, not loud but deep, mouth-honour, breath,
Which the poor heart would fain deny, and dare not. (5.3.22)

I have almost forgot the taste of fears.
The time has been my senses would have cooled
To hear a night-shriek, and my fell of hair
Would at a dismal treatise rouse and stir
As life were in't. I have supped full with horrors;
Direness, familiar to my slaughterous thoughts,
Cannot once start me. (5.5.9)

She should have died hereafter;
There would have been a time for such a word,
To-morrow, and to-morrow, and to-morrow,
Creeps in this petty pace from day to day,
To the last syllable of recorded time;
And all our yesterdays have lighted fools
The way to dusty death. Out, out, brief candle!
Life's but a walking shadow, a poor player,
That struts and frets his hour upon the stage,
And then is heard no more; it is a tale
Told by an idiot, full of sound and fury,
Signifying nothing. (5.5.16)

If that which he avouches does appear,
There is nor flying hence, nor tarrying here.
I 'gin to be aweary of the sun,
And wish the estate o' the world were now undone.
Ring the alarum-bell! Blow, wind! come, wrack!
At least we'll die with harness on our back. (5.5.47)

I bear a charmed life, which must not yield
To one of woman born. (5.7.41)

28 comments:

  1. Owen Williams 2/9/19
    The Gory Scottish Play
    In William Shakespeare’s Macbeth, blood is a symbol that comes up very frequently. Its significance lies in several different areas. Therefore, there is inescapable bloodshed at nearly every turn. Even when there isn’t, somebody mentions blood. So put on your goggles, turn your cloak inside out, and let’s go see what the bloody deal is.
    During the opening battle against Norway, a wounded Captain says that Thane Macbeth of Glamis, “with his brandished steel, which smoked with bloody execution (like valor’s minion), carved out his passage till he faced [Macdonwald, the turncoat]; which ne’er shook hands nor bade farewell to him till he unseamed him from the nave to the chops and fixed his head upon our battlements”(1.2.19). If Macbeth mauled Macdonwald so violently, he must be really bloodthirsty. However, the witches tell him he will become Thane of Cawdor, and King of Scotland, too. He is shortly appointed Thane of Cawdor, and he will definitely be King at this rate. But this might mean killing King Duncan, and he’s not too sure about that.
    Even if Thane Macbeth isn’t particularly bloodthirsty, his wife certainly is. Thane Ross compares her to Bellona, the goddess of war. “Norway himself, with terrible numbers, assisted by that most loyal traitor the Thane of Cawdor, began a dismal conflict, till that Bellona’s bridegroom, lapped in proof, confronted him with self-comparisons”(1.2.58). She even hatches a plan to kill King Duncan and frame his security guards for it. It runs as follows:

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    1. “When Duncan is asleep (Whereto the rather shall his day’s hard journey soundly invite him.), his two chamberlains will I with wine and wassail so convince that memory, the warder of the brain, shall be a fume, and the receipt of reason a limbeck only. When in swinish sleep their drenched natures lie as in a death, what cannot you and I perform upon the unguarded Duncan”(1.6.71)? Thane Macbeth isn’t sure if his wife’s bloodstained security guards ploy will work. But as long as the Macbeths act casual until everyone is sleeping, they are unlikely to get caught.
      Thane Macbeth stabs King Duncan, but he doesn’t want to go back and frame the security guards. Lady Macbeth just says, “Infirm of purpose! Give me the daggers. The sleeping and the dead are but as pictures. ‘Tis the eye of childhood that fears a painted devil. If he do bleed, I’ll gild the faces of the grooms withal, for it must seem their guilt”(2.2.72). When that’s done, the Macbeths will wash the blood from their hands, and change into their pajamas so they look like they were sleeping the whole time.
      A coronation and another murder later, King Macbeth goes to see the witches, who raise three apparitions to make him easier to hoodwink. First, a head with an arm says, “Macbeth! Macbeth! Macbeth! Beware Macduff; Beware the Thane of Fife. Dismiss me. Enough”(4.1.79). Second, a bloody child tells him to “Be bloody, bold, and resolute; laugh to scorn the pow’r of man, for none of woman born shall harm Macbeth”(4.1.89). Third, a crowned child holding a tree assures King Macbeth that he is safe “until Great Birnam Wood to high Dunsinane Hill shall come against him”(4.1.106). Even after all this, it doesn’t occur to him that he’s going down.

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    2. On the nights leading up to her death, Queen Macbeth is rather out of character. She walks in her sleep, rubs her hands as if she is washing them, and says things like “Out, d*mned spot! Out, I say! One; two. Why then ‘tis time to do’t. Hell is murky. Fie, my lord, fie! A soldier, and afeard? What need we fear who knows it, when none can call our pow’r to accompt? Yet who would have thought the old man to have had so much blood in him”(5.1.34)? She thinks King Duncan’s blood is all over her, and won’t wash off, in spite of her efforts. This is no medical issue, and she definitely won’t survive.
      Of all symbols in Macbeth, blood seems to be the most important. It has many different meanings, and shows up all over the play, whether somebody mentions it, or it’s actually there. But it all goes to show that the Macbeths spill blood all over the place, making a big mess, and leaving a bad taste in countless innocent mouths.

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  2. Throughout the play, many of the characters make numerous sacrifices that ultimately contribute to the witches’ prophecy. Macbeth, of all characters, makes the most sacrifices in order to feed his growing ambition of becoming king. He sacrifices his sanity, his marriage, and his friendships in order to achieve his ever-changing end goal. In sacrificing his sanity, Macbeth proves that he is willing to lose his humanity for power. Although it seems as though he’s gone insane after Duncan’s murder, earlier he hallucinates a dagger in front of him. He attempts to grab it, until he realized, “I have thee not, and yet I see thee still.” He knows he’s imagining this dagger, yet he continues his attempts to grab it, ultimately succumbing his sanity to this murder. This reveals his personal values of social status and power over his own mental state. Not only does he sacrifice his personal sanity, but, with the help of Lady Macbeth, he sacrifices his marriage. From the near beginning it is obvious to note Lady Macbeth’s aggressive manner, compared to Macbeth. Macbeth, aware of his wife’s disposition, still sent a letter with information regarding the prophecy, immediately sacrificing her sanity. After reading the letter, she states, “To catch the nearest way; thou wouldst be great, / Art not without ambition.” By surrendering his marriage for becoming King, Macbeth ultimately encourages the death of Lady Macbeth, as a result of her loss of sanity. Lastly, Macbeth sacrificed his friendship with Banquo for security of a notion, not a known fact. After arranging for Banquo’s murder, Macbeth seems to hallucinate or visibly has the ghost of Banquo haunt him due to the incredible amount of guilt he now carries. He exclaims, “Sweet remembrancer! / Now good digestion wait on appetite, / And health on both!” (3.4.47). He does so in front of a large audience, and seems to be the only one that can see Banquo. Macbeth faces the mental consequences of guilt after making a sacrifice that was unneeded. Although, he felt it was needed in order to secure his position, in order to spite the prophecy. Macbeth makes numerous sacrifices that cause him incredible amounts of guilt and ultimately led to his own downfall.

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    1. The witches know exactly what will happen.

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  3. In the play Macbeth there are many instances where Macbeth betrays his friends and followers. However Macbeth was betrayed as well, by the witches. The witches betray Macbeth by telling him his future and by doing this they purposefully lead him down the wrong path.
    In the beginning of the play Macbeth is encountered by the witches and they tell him his prophecy, the first witch says “All hail, Macbeth! Hail to thee, thane of Glamis!” the second says, “All hail, Macbeth, hail to thee, thane of Cawdor!” and the third says, “All hail, Macbeth, thou shalt be king hereafter!”. They say it in a cheery tone and Macbeth is a little nervous about it, but then Banquo says “Good sir, why do you start; and seem to fear / Things that do sound so fair?”. Then Macbeth realizes that it is fair. The witches definitely make him believe that this is a good thing and then when he is actually told that he is going to be thane, by ross and angus, he starts to believe the witches and relies on their information as the truth. However, in reality, the witches information is what makes him go crazy in the end.
    The witches prophecy make Macbeth want to become king and to become king he feels the need to murder the people in his way. It is the witches that made him do this because if they never told him his ‘future’ then he wouldn’t have even thought about becoming king. But instead he becomes paranoid, and with his wife encouraging him, he makes bad decisions. Macbeth eventually becomes king but then he realized that the witches told Banquo that his sons would become king, making Macbeth more paranoid. Macbeth now thinks that he has to kill Banquo and his son Fleance. He says “Our fears in Banquo / Stick deep; and in his royalty of nature / Reigns that which would be fear'd”. Obviously Macbeth takes the witches prophecy of Banquo’s descendants, the worst possible way. He thinks Banquo or his sons will kill him, so instead of living in fear he decides to kill Banquo and Fleance. The insanity in Macbeth’s mind is out of control at this point, he is willing to kill his friend and a little boy, all because he took what the witches told him and made assumptions from them. The witches betray him by telling him this information because it leads to his downfall, he is now constantly worried about his ‘fate’, if fate is even real, and tries to change it by making bad decisions that leads to a corrupt rule and suspicious leaders like Macduff.
    Near the end Macbeth confronts the witches once more and with this visit they tell him the three apparitions. The first is “beware Macduff”, the second is “none of woman born / Shall harm Macbeth”, and the third is “Macbeth shall never vanquish'd be until / Great Birnam wood to high Dunsinane hill / Shall come against him”. They tell him the truth, but they do it in a deceiving way. They trick him by saying things that make it seem like he will never be killed, but unfortunately there is a catch. Macduff is not of woman born and kills Macbeth, and the woods come to Dunsinane hill as the army disguised by branches. So the witches kind of betray Macbeth by making Macbeth feel like he has nothing to be worried about but in reality he does.
    The witches may seem like they are helping Macbeth by giving him information on his future, but in reality they lead to his demise. By giving him this they make him paranoid. He is now constantly thinking about his future and how to manipulate it, he goes crazy and relies on murder to solve his problems which just makes him more insane. His family, friends, and followers start questioning him and this leads to his ruin. The witches betrayed Macbeth by giving him information that seemed to be good but actually lead to his downfall. The witches manipulate Macbeth’s future in a bad way and while Macbeth betrayed many people it was all because Macbeth was betrayed by the witches.

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    1. The witches betrayed him so he could be caught off guard and defeated.

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    2. Serves him right.

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  4. 2014. It has often been said that what we value can be determined only by what we sacrifice. Consider how this statement applies to a character from Macbeth. Select a character that has deliberately sacrificed, surrendered, or forfeited something in a way that highlights that character’s values. Then write a well-organized essay in which you analyze how the particular sacrifice illuminates the character’s values and provides a deeper understanding of the meaning of the play as a whole.

    Sacrifices require great will, determination, and the daring to commit the deed. It is also in these sacrifices that we see what the true personality of a person is. In Shakespeare's play Macbeth, the main character, and villain, commits the audacious deed of murdering King Duncan so that he may become king.
    The murder itself seemed to broadcast itself to the whole cast,unbeknownst to some, as Macbeth noted one of the guards said "Sleep no more! Macbeth does murder sleep!" (2.2.36). Even with this, we cannot overlook the role Lady Macbeth plays in the play. She is the one to egg Macbeth onward to murder King Duncan, even wishing she were to be "unsex me here, and fill me from the crown to toe top-full of direst cruelty." (1.5.35) in which she wants to lose her "feminine weakness" so that she may commit the deed and save her husband Macbeth from the blame and guilt.

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  5. Humans crave power. However, the more that is desired, the more that it costs. In the play Macbeth by William Shakespeare, the protagonist Macbeth is the hungriest of all. In his conquest for power he leaves behind any and all morals. To achieve the position of king, Macbeth sacrifices his humanity.
    The first instance of this was when he betrayed Duncan’s trust. Macbeth started off as a trusted military general who Duncan granted the title of Thane of Cawdor. [Quote about witches prophecy]. To quicken the pace of when he was going to become king he betrayed his leader that trusted him.
    Macbeth sacrifices his logic when he abruptly kills Lady Macbeth and her children. [Quote about killing]. She posed no threat but he did it anyways to be absolutely sure.
    The most obvious instance that showed he sacrificed his humanity was when he was informed of his wife’s death. [Quote about wife dying]. He showed no emotion was felt it was just a inconvenience that she died before the battle was over.
    Through his desire to gain the most powerful position in the country, he had to make many sacrifices that add up to his humanity. He obtained the power in the end but was left with nothing.

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    1. I think you mean, "He abruptly kills Lady Macduff and her children."

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  6. Symbol: The inability to touch something

    Intro:

    Paragraph 1: The knife
    He kills with a physical knife, but before the murder he is unable to grab the dagger to do the murder → doesn’t want to be a murder
    After the murder he is unable to remove the blood from his hands → goes from unable to touch the murder weapon to never being able to let go of it
    “Is this a dagger which I see before me,
    The handle toward my hand? Come, let me clutch thee.
    I have thee not, and yet I see thee still.
    Art thou not, fatal vision, sensible
    To feeling as to sight? or art thou but
    A dagger of the mind, a false creation,
    Proceeding from the heat-oppressed brain?” (2.1.33)
    “Will all great Neptune's ocean wash this blood
    Clean from my hand? No, this my hand will rather
    The multitudinous seas incarnadine,
    Making the green one red.” (2.2.61)
    “Here's the smell of the blood still: all the perfumes of Arabia will not sweeten this little hand.” (5.1.55)

    Paragraph 2: Apparitions
    Tell him three things: fear Macduff, be bloody and brutal, don’t fear anything till Burrnamewood comes to Cawdore
    Cannot touch these prophecies, but relies on them, difference between Banquo and Macbeth (B trusts reality, M trusts mystics)
    The more insane M becomes the less things make sense in the play and the less reasons there are for things to happen
    Three apparitions are: head wearing an armored helmet, bloody child, child wearing a crown and holding a tree
    “Double, double toil and trouble;
    Fire burn and cauldron bubble.” (4.1.10)
    “Be bloody, bold, and resolute; laugh to scorn
    The power of man, for none of woman born
    Shall harm Macbeth”

    Conclusion

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  7. Throughout Shakespeare’s play Macbeth, the symbol of clothing in incorporated. When Macbeth and Banquo first meet the witches and they prophesied him becoming the Thane of Cawdor and later the king, Macbeth does not think that they are right. But soon after Macbeth is told that he is now the thane of Cawdor and he says, “The thane of Cawdor lives: why do you dress me / In borrow'd robes?” This is the first clear instance where the witches’ predictions became true, yet Macbeth does not feel as if he should have this new title. The robes symbolize power, and at this point, he does not believe that belongs to him. However, that changes drastically over the course of the play and the wrong person wearing these robes leads to dangerous consequences. The symbol of clothing begins to convey the theme of appearances versus reality which is prevalent throughout the play. It appears that Macbeth does not want his newfound title, but the reality is that he is possessed by an overwhelming desire for power.
    After Macbeth kills Duncan, the king of Scotland, in order to get closer to becoming the king, Macduff speaks with Ross about the future of Scotland. Duncan’s two sons had fled since they believed it to be dangerous near the person who killed their father, but their reasoning for departure was unknown. Because of the suspicious nature of their departure, it was deemed that they likely killed their own father, and Macbeth, as next in line for the throne, became the new king of Scotland. Macduff, who becomes an enemy of Macbeth, says to Ross, “Lest our old robes sit easier than our new,” while speaking of the new ruler. The symbol of clothing is used here to depict Macduff’s feelings that Duncan was a better king than Macbeth will be. By saying this, Macduff’s suspicions are somewhat vocalized and influence the reader’s view of Macbeth’s actions. This line foreshadows the events that follow, with the reign of Macbeth characterized by excessive violence against all who possibly go against the king. The reign of Duncan was peaceful while that of Macbeth is filled with conflict.
    Furthermore, the symbol of clothing is used close to the end of the play, once everyone has realized that Macbeth killed Duncan to become king and he has ruled terribly. Angus describes Macbeth’s title as “Hang[ing] loose about him, like a giant's robe / Upon a dwarfish thief.” By killing Duncan, Macbeth stole the title of king, making him a thief who does not deserve the power he has. Macbeth is not comfortable in his new robes because they are not rightly his, and this fact seems to haunt him along with Banquo’s ghost. He is attempting to cover his true nature beneath the ‘giant’s robe’ or the title of king, but is unsuccessful due to the fact that it should not be his. The symbol of clothing is used to portray the hypocrisy of the character of Macbeth, using the motif of robes that do not and will never fit him.

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  8. It has often been said that what we value can be determined only by what we sacrifice. In Shakespeare's play Macbeth we see this applies to many characters who deliberately sacrificed, surrendered or forfeited something that shows what the character values more. One of the characters you could see this with was Macduff. Throughout the story, Macbeth and Macduff are like foil characters. One has no children, the other having many children, one being very loyal and one not very loyal.
    You can see Macduffs values from his actions. He values the loyalty of the bloodline of the late king to his own family. When he goes to see Malcolm in England he leaves all his family behind and goes to the English court to ask for Malcolm help in defeating Macbeth but when he is away Macbeth kills his whole family. When he finds out he says “He has no children. All my pretty ones? Did you say all? O hell-kite! All? What, all my pretty chickens and their dam At one fell swoop?”. He realizes he had made a huge error buy not taking his family showing how he put getting rid of Macbeth before his own family.

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  9. Macbeth (outline)
    Betrayal is a common theme in literature and is often motivated from other people or even their own ambitions. In the Shakespeare play ‘Macbeth’ William portrays how betrayal and deception undermine society and is done to fulfill the individual’s desire and needs.

    Betrayal is evident in the beginning of the play once the three witches gave Macbeth prophecies of him becoming a king. After receiving these prophecies Macbeth abuse of power leads him to a downwards spiral because of his inhuman attributions and his thirst for domination, “Fair is foul, and foul is fair.” This quote clearly displays how the witches are planning to impede Macbeth and mess around with him, it also shows how they betray Macbeth by providing him with more prophecies knowing that he will not comprehend the true meaning of them and will act upon his false interpretations. Macbeth misinterprets the new prophecies believing that he has to kill Mcduff and prepare for the army that is coming from England. This ultimately leads to Macbeth’s death.

    Macbeth receives the title after Thane of Cawdor was executed, “"No more that Thane of Cawdor shall deceive, our bosom interest. Go pronounce his present death, and with his former title greet Macbeth."You could tell by the underlying tone that Macbeth was ready to persecute the trust that was given to him by King Duncan in order to satisfy his aspirations.

    Conclusion

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  10. In Macbeth a work by shakespeare there are many things that happen in a recurring matter. One of the most prominent things that happen often betrayal. Betrayal happens to essentially all characters in some way. The idea of betrayal is present since the start of the play although it is hidden in the witches deception. The deceive Macbeth with promising him power and control by becoming king of scotland. All hail, Macbeth! Hail to thee, Thane of Glamis!
    SECOND WITCH
    All hail, Macbeth! Hail to thee, Thane of Cawdor!
    THIRD WITCH
    All hail, Macbeth, that shalt be king hereafter!
    They promised Macbeth that he would reign as king but fail to inform him he will be killed before being able to enjoy any of its perks. So from the start Macbeth believes the witches are actually helping him when really they are harming him and giving empty promises. Throughout the events after this encounter though Macbeth actually becomes the betrayer. And he is even betrayed more by people close to him rightfully. He betrays Duncan the beloved king in charge who trusted him.You are supposed to be kind and courteous to guests in your house which Macbeth believes in yet he is about to go against that therefore going against his own morals for gain.

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    1. Macbeth’s betrays himself and his values in that way. Macbeth’s wife betrayed him as well. She does this by making him do something that harmed him and her in the long run. Macbeth betrays Banquo by slathering him for gain too.

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  11. Symbol: Blood
    Intro: Self explanatory
    B. Paragraph 1: Division through blood (Macbeth killing dudes)
    B. Paragraph 2: Unity through blood (Unifying Macbeth and his wife)
    B. Paragraph 3: Metaphorical blood (Macbeth going psycho)
    Outro: Wrap up and stuff

    Macbeth Symbol Essay (Work in progress title)
    Blood is constantly used throughout Shakespeare’s play “MacBeth” as way to symbolize many aspects of the plot and Macbeth’s character as he develops over the course of the story. There are many ways blood is used in this play, first off there is the literal way to interpret it in the physical substance, but it is also used to represent guilt and how the murders later in the story “stain” Macbeth. Blood isn’t just a tool to show the negativity in things such as war and murder. It can also be a force that unifies people under one common goal. All of these uses of blood are used masterfully by Shakespeare to deepen the story of “Macbeth”.
    Blood is most commonly associated with war and death, luckily Macbeth is a master of both. The first time we hear about Macbeth is from one of the soldiers who is reporting about the “brave Macbeth--well he deserves that name-- Disdaining fortune, with his brandish'd steel,Which smoked with bloody execution” (1.2.18). This passage shows that Macbeth is well respected in his military position and how his steel is “smoked with bloody execution” suggesting that Macbeth’s sword and that Macbeth is well acquainted with the toils of the bloody war, for his experience has elevated him in terms of his position. This is all fine until Macbeth meets the witches, the witches are the personification of evil in this story and they give Macbeth the insight that drives him to pursue the assassination of King Duncan. This glimpse into the future, which tells of Macbeth becoming thane of Cawdor and the King, seems far fetched. Macbeth doesn’t believe the witches even telling them to “Stay, you imperfect speakers, tell me more: By Sinel's death I know I am thane of Glamis; But how of Cawdor? the thane of Cawdor lives,” (1.3.78). Coincidentally, after this encounter Macbeth is informed that he is now Thane of Cawdor which propels him into his blood hungry rampage on his journey to become king.

    This is only the first 2 paragraphs. I'm thinking about switching up the body paragraphs so that it flows better.

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  12. In the play Macbeth by William Shakespeare, many symbols were represented to enhance the plot. Of these symbols, there is one which stands out. The presence of Banquo is a symbol which has a very underlying theme in the play. Banquo shows up in very key points in the play which gives his character even more meaning than it already has.
    The first time Banquo is seen in the play is at the beginning. He and Macbeth are visited by the witches and are told their prophecies. While both of them struggle to comprehend what had happened to them, the first part of Macbeth’s prophecy is proven true as he is given the title of Thane of Cawdor. After this, Macbeth falls into the thought process that what the witches had told them was true. However, Banquo was still skeptical of it and was precautious of his actions. At this point of the play, both Banquo and Macbeth had achieved success naturally. Both of them were at possibly their highest point of success in their life.
    Another time Banquo is seen in the play is when Macbeth crowned himself king. At this point in the play, Macbeth had just begun his downward spiral in his life. The idea of having everything in his foretold future to happen went into Macbeth’s head and started making him do irrational actions. When he told Lady Macbeth about his interaction with the witches and how a part of it had come true, she urged him on to make it all become true. While they were dining with Duncan and their friends, Macbeth was having doubts of killing him. He was allowing the human side of him to come out. However, from the continuous encouragement by Lady Macbeth, he gave up on trying to please his human side and instead please her greed for power. During the murder of Duncan, Macbeth forgot to leave the daggers at the sight of the scene and it proved that he was losing control of himself. When the murder had gotten out, everyone rushed together and were trying to figure out what happened. Banquo was one of the men who had come and was trying to put the pieces together of what was going on. Everyone believed the scene of the murder and accepted the thought that the guards killed Duncan, but after all of this Banquo was doubtful of the story.
    The next time Banquo shows up in the play is when he is saying farewell to Macbeth the morning of the dinner he was invited to. At this moment of the play, Macbeth is losing all sight of his life. He gives off the impression that he is going to kill Banquo in order to stop his lineage from being appointed to the power of king.
    The last time Banquo is seen with Macbeth at the play is when his ghost visits the dinner after Macbeth kills him. This point in the play shows Macbeth being at his absolute worst. He has lost all sanity and the only thought on his mind is to get more.

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  13. Im doing my the betrayal prompt and even though I don't have my rough draft yet, I will put together a decent essay for Macbeth to not decapitate me and burn me on the stake.

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  14. To betray means to go against either something that you personally believe in or someone who trusts you. In Macbeth, the use of betrayal gives the reader something to connect to while also giving the story an element of surprise and conflict. Without this conflict created by betrayal the story arch would be boring, a flat line, and Macbeth wouldn't be... Macbeth.

    One of the first acts of betrayal was when Macbeth murders Duncan in his sleep. Lady Macbeth comes up with the idea that Macbeth should murder Duncan as it will be in his self interest but internally, Macbeth against this idea because it will likely have consequences. It could be said that Macbeth is between a rock and a hard place. Through an internal monologue prior to killing the king, Macbeth weighs his two options and debates whether to listen to his wife or do what he thinks is right.
    We still have judgment here; that we but teach
    Bloody instructions, which, being taught, return
    To plague the inventor: this even-handed justice
    Commends the ingredients of our poison'd chalice
    To our own lips. He's here in double trust:
    First, as I am his kinsman and his subject,
    Strong both against the deed; then, as his host,
    Who should against his murderer shut the door,
    Not bear the knife myself. Besides, this Duncan
    Hath borne his faculties so meek, hath been
    So clear in his great office, that his virtues
    Will plead like angels, trumpet-tongued, against
    The deep damnation of his taking-off;
    Not only is there tension between Macbeth and Lady Macbeth; Macbeth is also internally conflicted because he knows that there will be repercussions. To add on to that, he understands that it’s unethical to murder Duncan because he is a good man who has done nothing wrong. Additionally, Macbeth would be betraying Duncan’s trust. The conflict and decision which Macbeth makes messes with his head and he isn't the same for the rest of the book.

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  15. Macbeth makes many terrible decisions throughout the novel, but what all of these bad decisions have in common is that they were made by Macbeth. Although the witches told him that he would become the king, and his wife encouraged him to commit these murders, Macbeth was not forced, or even threatened, into doing any of the things that he did. With it commonly being said that what we value can only be determined by what we sacrifice, I believe that Macbeth sacrificed a decent life and good conscious for glory, and this shows that he valued glory and an opportunity to be the king much more than he valued his own conscious. Macbeth's sacrifice of his old self develops the entire rest of the play, as the story is about Macbeth and his time in the throne, or, more importantly, how he got to the throne and the consequences. Had he not sacrificed his old self, than the novel would have had no development and no basis for a story.

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  16. Blood stands out to me as one of the most important symbols in Macbeth. As a tragedy that opens on the battlefield the entire novel is filled with blood and violence. From the start, Macbeth is introduced as a heroic soldier who bravely fought the Norwegian’s, “For brave Macbeth (well he deserves that name), Disdaining Fortune, with his brandished steel, Which smoked with bloody execution, (Like valor's minion) carved out his passage Till he faced the slave; Which ne'er shook hands nor bade farewell to him Till he unseamed him from the nave to the chops And fixed his head upon our battlements.”(1.2.18), here Macbeth is explained as being violent, however his violence is in honor of Scotland which earns him the attention of Duncan who soon names him Thane of Cawdor. The situation is completely changed when Macbeth and his wife conspire to kill Duncan. Macbeth’s gory ways were once put to good, however his intention was now to murder his loving cousin. Lady Macbeth has the initial desire to murder Duncan, after hearing the witches prophecies she strongly desires the power which is now within arms reach and wants to see her husband crowned. She calls on spirits to “...unsex me here, And fill me, from the crown to the toe, top-full Of direst cruelty! Make thick my blood…”(1.5.47), she wishes to rid herself of any motherly emotion and become tough like a man in order to obtain the power she craves. Moments before the assassination, Macbeth observes a dagger in mid-air before him, “And on thy blade and dudgeon gouts of blood…”(2.1.55) he is bursting with guilt even before he kills Duncan, a sign that he’s making the wrong choice and beginning his long descent into madness.

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  17. Betrayal is one of the major theme in the novel Macbeth, by William Shakespeare. Macbeth commits many acts of betrayal against his friends and even to his only close family, his wife. Likewise, I believe Lady Macbeth betrays Macbeth when she seduces Macbeth into the idea of killing Duncan and taking the crown for himself. The marriage between Macbeth and Lady Macbeth is not an admirable one, as each hide things from one another and both have distrust in the other. Macbeth is introduced at first as a protagonist, rising in the ranks of the Scottish army to become a brave general and loyal follower of the throne, not to mention earning the title Thane of Cawdor. However, as Macbeth grows more power hungry from the witches’ prophecies, he turns into the antagonist of the story and becomes untrustful and disloyal to his piers. For example, when King Macbeth becomes suspicious of his closest friend Banquo keeping his silence, he has him executed in order to maintain his supremacy. Macbeth goes against his own morals and commits many immoral acts, the worst being when he murdered Duncan, his beloved king, for his own personal gain.

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    1. This is my introductory paragraph

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  18. intro paragraph- There are many moments in Macbeth that could be labeled as an illuminating incident, but the most prominent in my opinion is the feast in act III scene IV. In this scene, Banquo’s ghost appears to Macbeth, but only him, causing the other guests of the feast to believe Macbeth has gone mad. I believe this scene is crucial to the story, illustrating Macbeth’s descent into true madness. Before this point, one could consider Macbeth’s murderous journey to the top an “ascent into madness”. The audience can see that Macbeth always harbored deranged intentions (deep down), but didn’t really start to lose it until this point

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Due Thursday, June 13th - All I Really Needed to Know I Learned in Mr. Pellerin's Survey of British Literature Class.

Overview :  Go back to our first blog, and walk through the 2018-2019 school year.  Revisit the books we read and our class responses.  Look...